Alice: - Azimut -1982 Pop- -flac 16-44-

Released in the autumn of 1982 by EMI Music Italy, Azimut is the fifth studio album by Italian singer-songwriter Alice (Carla Bissi). It represents a pivotal moment in her career, marking her transition from a mainstream pop artist to a sophisticated singer-songwriter with a "cultured and catchy" experimental edge.  Production & Collaboration 

"Azimut": The title track, noted for its beautiful piano and synth arrangement and introspective lyrics. Alice - Azimut -1982 Pop- -Flac 16-44-

You will gain a masterpiece of 1980s art pop, a correct technical file, and the satisfaction of supporting an innovative artist. That is the true azimuth – the right direction for any music lover. Released in the autumn of 1982 by EMI

Released in 1982, Azimut (Italian for "Azimuth," the horizontal angle or direction) was the fourth studio album by the Venetian singer-songwriter Carla Bissi, known mononymously as Alice. This article explores why this album remains a cult classic, why the FLAC 16-bit/44.1kHz format is the definitive way to experience it, and how the music holds up four decades later. You will gain a masterpiece of 1980s art

International Success: The album was particularly successful in West Germany, where Alice became one of the best-selling Italian artists of the mid-80s, often outselling her own Italian domestic figures in Northern Europe and Scandinavia.

Azimut is the fifth studio album by Italian singer-songwriter Alice (born Carla Bissi), released in 1982 through EMI Music. It is a quintessential piece of early 80s Italian pop, blending synth-heavy arrangements with experimental rock and New Wave influences. Album Overview

2. Technical Analysis

| Parameter | Value | |------------------------|-------------------------------| | Sample rate | 44.1 kHz | | Bit depth | 16 bit | | Codec | FLAC (Level 5–8 typical) | | Channels | 2 (stereo) | | Average bitrate | ~700–900 kbps (VBR) | | Dynamic range | Typically good (DR10–DR13) for this era | | Spectral analysis | Clean cut at 22.05 kHz (proper anti-aliasing) | | No DC offset / clipping | Expected properly mastered |