Title: Oldje - ClassMedia - Leya Desantis - Paul Jones
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Years later, children who had been in Leya’s class returned to lead workshops. Mateo taught a course on maps without borders; the quiet student became a sound engineer and taught kids how to splice tape into new shapes. Oldje kept digitizing and curating and, when asked what his role had been, would only say: I listened. Title: Oldje - ClassMedia - Leya Desantis -
ClassMedia, on the other hand, appears to represent a platform or organization involved in educational or media content creation. The role of ClassMedia could be pivotal in disseminating information, shaping educational discourse, and providing resources that are both informative and engaging. In an era where learning and media consumption are rapidly evolving, entities like ClassMedia are at the forefront of this transformation, making knowledge more accessible and promoting digital literacy. Oldje kept digitizing and curating and, when asked
A reimagining of Oldje’s 2024 hit, this version strips back the heavy bass and replaces it with a live saxophone solo by Paul Jones. Jones’ tenor weaves in and out of the minimal beat, echoing the melancholy of Miles Davis’ “Blue in Green” while retaining Oldje’s lyrical focus on ambition and escape. The bridge—an instrumental call‑and‑response between the sax and a distorted, lo‑fi piano—feels like a late‑night jam in a downtown loft.
If you’ve been following the neo‑soul resurgence since the 2010s, you know the genre has moved from the polished, radio‑friendly output of the late‑2000s into a more experimental, DIY sphere. Artists like KAYTRANADA, Sault, and now Oldje are incorporating: