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The Unknown Craftsman: Exploring Soetsu Yanagi’s Philosophy of Beauty
Yanagi coined the term Mingei—from minshū (people) and kōgei (craft)—to describe objects that are "born, not made". He believed that when an anonymous craftsman works within a tradition to create functional items for daily use, their ego disappears, allowing a "beauty of health" to emerge from the materials and techniques themselves. The Unknown Craftsman
Beauty of Irregularity: Unlike the cold precision of machine-made goods, Yanagi celebrates the "naturalness" and healthy irregularity found in handwork.
The Unknown Craftsman: Exploring Soetsu Yanagi’s Philosophy of Beauty
Yanagi coined the term Mingei—from minshū (people) and kōgei (craft)—to describe objects that are "born, not made". He believed that when an anonymous craftsman works within a tradition to create functional items for daily use, their ego disappears, allowing a "beauty of health" to emerge from the materials and techniques themselves. The Unknown Craftsman
Beauty of Irregularity: Unlike the cold precision of machine-made goods, Yanagi celebrates the "naturalness" and healthy irregularity found in handwork.