The compilation Ultrasound Studio Rare Remixes Vol. 159 , released around 2008, is part of a long-running series of bootleg/specialist remix collections known for featuring extended and rare "Ultrasound" versions of popular 80s and 90s tracks.
(e.g., "Brother Louie," "Cheri Cheri Lady" extended versions) Alphaville (e.g., "Big In Japan," "Forever Young" retro remixes) George Michael (e.g., "Careless Whisper" Ultrasound Extended Version) Duran Duran (e.g., "Come Undone" Ultrasound Extended Version) Other 80s icons like Al Corley, Anne Clark, and Beagle Music Ltd. These releases are generally intended for DJ use only
Have a copy of this volume? Do you remember the exact tracklist? Sound off in the comments below. Links are welcome, but respect the ghosts of RapidShare. va ultrasound studio rare remixes vol159 2008 hot
Ultrasound Studio isn't your typical high-street label. It gained a cult following for its meticulously crafted, "unofficial" extended versions of classic hits. Unlike modern remixes that often bury the original melody under heavy basslines, Ultrasound’s philosophy was always about respect. They took the tracks we loved—the ones that were usually 3 to 4 minutes long—and expanded them into 8-to-10-minute cinematic experiences.
Review: VA – Ultrasound Studio Rare Remixes Vol. 159 (2008)
Label: Ultrasound Studio (unaffiliated / white label)
Format: CD-R / Promo Digital
Genre: Progressive House / Tribal / Electro-Clash The compilation Ultrasound Studio Rare Remixes Vol
These releases were rarely neat. They came with missing metadata, filenames like track_01_final_master_real_final_v2.mp3, and cover art that looked like it was designed in Microsoft Paint. Yet, they captured the raw energy of the club scene in a way that polished streaming playlists today often fail to replicate.
Extended Intros and Outros: Designed specifically for seamless DJ transitions. These releases are generally intended for DJ use
Because "va ultrasound studio rare remixes vol159 2008 hot" represents a specific, beautiful moment in music technology. It was a time when the tools of production (laptops, cracked plugins, YouTube-to-MP3 rippers) became powerful enough to create "professional" bootlegs, but the distribution system (major labels, streaming services) hadn't yet caught up to shut them down.