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Introduction
In the multiplex, 1989 was a year of blockbuster franchises reaching their apotheosis. Tim Burton’s Batman shattered the notion that comic book movies were campy and lightweight. With Michael Keaton’s brooding performance and Jack Nicholson’s maniacal Joker, Burton painted Gotham City in gothic shadows and industrial grime. It was an event film, pioneering the modern marketing juggernaut of merchandise and hype, and proving that darkness could be profitable. On the opposite end of the spectrum, Disney’s The Little Mermaid ushered in the Disney Renaissance. After a decade of middling box office returns, this film restored the studio’s faith in the animated musical, blending Broadway-style storytelling with a feminist (if complicated) protagonist in Ariel. 1989 saw the heroic, tortured individual (Batman) and the yearning, rebellious teenager (Ariel) become the central archetypes of pop cinema.