In the lexicon of comic art criticism, the term “sick” occupies a curious dual register. On one hand, it denotes visceral disgust—the splatter of gore, the distortion of the body, the taboo violation. On the other, within subcultural slang, “sick” signifies superlative skill and boundary-pushing creativity. This essay argues that the “sickest” comics—from Robert Crumb’s psychosexual grotesques to S. Clay Wilson’s pirate-biker hellscapes, and from contemporary horror-comics virtuosos like Al Columbia to digital provocateurs like Michael DeForge—demand a continuously updated critical archive. Such an archive is not merely a file collection but an evolving statement on what transgression means in each era.
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If your goal is to produce these types of comics, focus on these three pillars: The Grotesque Virtuosity in Underground Comics: Curating an
Yes. But only if you have the stomach for it. Direct Inquiry: You might need to directly contact
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